“Is it so implausible to imagine that, at the very least, Christie saw the film and unconsciously drew on it four or five years later when she came to write her brilliant landmark mystery?”Īnna Hervé, editorial director for literary estates at Christie’s publisher HarperCollins, said that although there are “similarities” between the novels, there was “no obvious link” between them. “Christie need never have heard of, nor much less have read, The Invisible Host to have been influenced by it,” writes the historian. Each novel opens with them reading or thinking over their invitations … to the penthouse/island from their anonymous host,” points out Evans, adding that while the novel was not published in England, its 1934 film adaptation played there.
“In general both books are about people entrapped within sealed locations … who are methodically ‘executed,’ as it were, by a seemingly omnipotent unknown assailant who never appears as such but rather speaks to them through mechanical means … All of the people … hide guilty secrets.
“Do not doubt me, my friends you shall all be dead before morning.” Published in the US in 1930, and adapted for the stage that year, it went on to be filmed as The Ninth Guest.Ĭrime fiction historian Curtis Evans, in an introduction to the forthcoming UK edition of The Invisible Host, cites the “astonishing likeness” between the two novels, saying that it is “not just a matter of similar elements being in play: the entire basic plot idea is the same, the admittedly ingenious variations which Christie played upon it notwithstanding”. It begins with eight guests invited to a penthouse by telegram, where they are then told over the radio that they will all soon be dead. Husband and wife Gwen Bristow and Bruce Manning were newspaper journalists in New Orleans when they co-wrote their first mystery novel, The Invisible Host. Bruce Manning and Gwen Bristow Composite: Dean Street Press
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